Rulz is no stranger to making beautiful melodies. His music is a masterclass in blending tradition with innovation, Afro-fusion with a modern edge, and storytelling with raw emotion. He stands at the crossroads of Ugandan heritage and global influence, crafting songs that feel both deeply personal and universally resonant.
Take his latest EP, Set of Rulz, for example. At first listen, it’s clear this project wasn’t just another release, it was a statement. And right at the forefront is "Salaam," a track that nearly didn’t make it. “It was the last song I added,” Rulz confided during our conversation. Ironically, it’s the opening track, setting the tone for the entire EP. This theme of seamless artistry isn’t new for Rulz. His earlier works, like the 2020 album Beautiful Pieces, hinted at his ability to craft soundscapes that linger long after the music stops. Tracks like “Vibes” (featuring Axon) were an introduction to his knack for pairing lush production with emotionally charged vocals.
By the time Set of Rulz arrived in 2024, Rulz had grown into a sound of his own. Tracks like “On the Road” and “Blessing” carry his signature--an effortless blending of Afrobeat, soul, and pop that’s both rooted and experimental. These songs show an artist who’s as much about connection as he is about pushing boundaries.
And yet, "Salaam" feels like the heart of this project. It’s the kind of track that transcends playlists and moods. It becomes a moment. Knowing it was almost left out of the EP adds a layer of intrigue. Perhaps that’s the magic of Rulz, even his “last-minute” decisions turn out to be first-rate.
In my conversation with Rulz we got into it about his EP, the Grammy nomination, Collaborations, and more. Have a listen to the Audiogram via Instagram
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