I’ve always thought there’s a specific rhythm to moving through Kampala, especially on those random trips where traffic has you questioning your life choices, then suddenly everything clears and you’re flying. That contrast stuck with me, so I started building a series around it Boda Mix Vol. 1 (Kyanja to Lugogo) is basically Kampala traffic in audio form. It starts where you’re stuck for no clear reason, engines humming, one boda squeezing past you like physics doesn’t apply, and you’ve accepted that you’re not moving anytime soon. The grooves sit in that pocket on purpose, steady, slightly tense, carrying you through the stop start chaos like a seasoned commuter who already knows the drill. Then, like always, the road randomly opens. No warning, no explanation, just vibes. The mix picks up with it, smoother, faster, more confident, matching that exact moment you stop complaining and start gliding. It’s controlled, intentional, and built like the city itself, unpredictable, but never...
A year ago, I had my first conversation with Jenesis Kimera about his Risky Business EP, a project that, true to its name, reflected the risks and rewards of his artistic journey. Now, in 2025, we spoke again, this time about his latest release, Olaba Otya, featuring Yung Mulo. The conversation wasn’t just about the song, it was about growth, persistence, and what success means to an artist constantly pushing forward. For Jenesis, success isn’t just about numbers or financial gains. "Well, it’s getting people to listen to the music and making money, but also, it’s about the music. Releasing music is a win," he told me. That perspective defines his journey. Each release is a milestone, a testament to his dedication to the craft. We also touched on a common refrain among artists. The idea that "everything I create is my favorite." When asked about it, Jenesis answered in a way that felt both diplomatic and self-aware. It’s a tricky position to be in, b...